“A very tender and warm story about love and tiny forms of rebellion against the norm. I absolutely adored the actors and the intimate way they were filmed. This movie is very sensory; you can feel the fabric and skin. I love the kindness that just seeps through Maryam Touzani’s work.”  — JacolineMaes

“Monster is one of the kindest films I have ever seen. Tears, chills, joy; they’re so integral to every part of this journey. To understand how to live with people you need to feel what they feel, know what they know, listen to what they say and say what you feel.”  — Hayden

“A beautiful and bizarre story of self-discovery and liberation. Yorgos Lanthimos creates such a delightfully abstract, immersive world in which you can lose yourself and come out on the other side with a better understanding of your own humanity.”  — Adriana Vergara

“It’s really refreshing to see a film that’s mostly sequel set-up actually use that to its advantage. It takes its time with quieter moments of true emotional stakes, abandoning most traditional blockbuster pacing for something more careful, deliberate, and just as daring as the animation itself.”  — ash

“An unassuming meet-cute that transforms into an emotional Wong Kar-wai-adjacent road movie of a hopelessly romantic love. There’s a moment (a few, really) when time stops but also everything clicks, for the characters and for the audience. It’s a beautiful, powerful feeling to be able to convey such passion on film.”  — Nick

“The intersection between La Flor and Twin Peaks, with some enchanting mysteries. A film composed of archives, letters, radio clips and specimens, each a landscape in itself, with its own secrets and flowers, and each investigator disappears into its landscape of time.”  — twy

“Dear. God. I’m almost lost for words. You have a 2D-style Renaissance-era Vulture fighting a 3D-style Gwen Stacy and it’s like watching art being reborn on screen before our very eyes.”  — AngierCorleone

“20 Days in Mariupol is a gut-wrenching, devastating thing to watch; yet the act of watching the terrors that Russia has inflicted on Ukraine doesn’t hold a candle to how the victims have had (and at the time of writing, continue) to endure this.”  — JB

“Celine Song handles the material with so much delicacy and precision. I really hope we see more from the acclaimed playwright-turned-filmmaker as a result as Song has a strong cinematic voice that I can totally get behind.”  — RashaadHarris

“Simply delightful. A feast for the eyes and a masterclass in practical set design. I couldn’t think of a better way to bring the stories of Roald Dahl to life than through a series of shorts from Wes Anderson.”  — Tyler Whitmore

“The best piece of media Disney has made in over a decade. Seeing all these characters together is a childhood dream come true and was the closest I’ll ever get to feeling like a little kid again. Walt would be proud.”  — John Pero

“A refreshing new take on Moebius’ art style / 80s Heavy Metal comics. Gripping, beautiful, tense [with] comic moments to breathe and scenic moments to awe. Another piece of media to scream ‘I love original sci-fi’ into the void.”  — BCA22

“Where this succeeds is in defining the team’s identity [with] the Vikings as the tragic heroes of American sport; the most consistently not-bad team of the Super Bowl era and by extension the most consistently heartbreaking team you can root for.”  — timberwolves fan

“Joe Pera has managed to create one of the most defined and uniquely funny characters in the post-Pee-wee Herman comedy landscape. So many artists shoot for this ‘midwest cornball’ mixed with sincerity/irony but he’s the only one with the dedication to actually make it work.”  — FunkeeKatt

“One of those once-in-a-blue-moon shows that, once it’s over, a little bittersweet hole sits in your heart, and you know not much will ever compare to a first-time watch ever again. Yet, at the same time, you’re so grateful to have gotten such an amazing story—start to finish.”  — Alexa

“What a privilege it is to be allowed to see a sparkle of an artist’s daily life like this; their work ethic, their thoughts and feelings, their most vulnerable moments. Yoongi, your music drives the world. It really does.”  — bruna

“Canvas, love letter, documentation of process, archiving of performance, behind the scenes look, testament to artistry, blooper reel, distillation of time, place, feeling... Captivating proof of a once in a lifetime monument.”  — Kyle Turner

“We all knew Barbie was going to be funny. We all knew it’d have something to say about the ‘female coming-of-age’… What I didn’t know was how much Barbie would mean to me, to the women sitting to my left and right, to all of us… It hit me right when I needed it most.”  — Zoë Rose Bryant

“A compelling portrait of a woman who deserves far more than a blood-hungry audience has ever dared to give her. Pam’s hope, optimism, resilience, honesty, and remarkable sense of humor are inspirational. Survival is messy.”  — Ryan

“1,000,000× better the second time around, i’m so not okay right now. womanhood is just so beautiful and raw and the sense of empowerment i felt rewatching makes me so happy, i’m definitely gonna be rewatching this over and over again 🎀🪷🪽👛🪩”  — ꒰ 𝜗𝜚 ◞ 。𝓐ubs !

“In many ways a love letter to cinema, to rom-coms and to the creative process of writing stories itself. This film was definitely a breath of fresh air that might have just restored my faith in Indonesian cinema.”  — brundlefly

“I felt like I was at a concert with the amount of people taking flash photography the entire movie. The. Entire. Movie. At the end people gathered in a circle and danced and it was the most bizarre thing I’ve ever witnessed. Anyways movie was mid.”  — Gio

“If for nothing else, credit is due to Nefarious for being a different kind of demonic-possession film. We don’t get the inverted crosses, the projectile vomit, the bendy bodies… But we also get a Trojan Horse horror show that has annoyed people for being tricked into seeing it.”  — Joel Hilke