Podcast episodes

Recent episodes of The Letterboxd Show, our podcast about movies

Bonjour! The Best in Show crew digs into the Best International Feature race, with an entrée of an interview between Brian, Juliette Binoche and Trần Anh Hùng about their César-nominated collaboration, The Taste of Things. Gemma, Mia and Brian also divulge the recipe for the International Feature category and how its submissions work—and briefly bring in Perfect Days director Wim Wenders as a treat.

The Best in Show team welcomes our East Coast correspondent Adesola Thomas to chat about her best of the Park City fest, among them the raucous Irish-language rap-musical Kneecap, sisterly drama In the Summers and coming-of-age charmer Dìdi (弟弟). Then, Mia and Gemma head to Osage County with five-time Oscar-nominated costume designer Jacqueline West for an in-depth interview on her “method costuming” techniques for Killers of the Flower Moon.

The 96th Academy Award nominations have been announced, and the Best in Show crew have both axes to grind (Charles Melton of May December, you will be avenged!) and champagne bottles to pop (Justine Triet of Anatomy of a Fall, you will be fêted!). Plus, Spider-Slim swings Across the Spider-Verse to chat with the directors behind Letterboxd’s highest rated film of 2023: Joaquim Dos Santos, Kemp Powers and Justin K. Thompson.

The BAFTA nominations are in—Lily Gladstone and Andrew Scott are out. What’s that about? London Editor Ella Kemp joins Mia and Gemma for a rant. Plus: the invisible but visceral art of sound design with The Zone of Interest and Poor Things sound designer Johnnie Burn, Society of the Snow director JA Bayona, and Killers of the Flower Moon sound mixer Mark Ulano.

In this art direction-focused episode of Best in Show, Mia chats with the production designers behind the mad world of Poor Things—James Price and Shona Heath—about their human anatomy-inspired sets, and Gemma catches up with an old friend: Grant Major, Academy Award-winning production designer of a little film saga called The Lord of the Rings.

The Letterboxd crew pops the champagne and rounds up a roundtable for a celebration of 2023 cinema! We detail the results of our annual Year in Review, highlight the highest rated films of the year across categories and continents, reflect on the controlled chaos of our own personal stats and anticipate what 2024 has in store (the returns of Robert Pattinson and Bong Joon-ho).

This week, the Best in Show crew dives deep into two documentaries that just made the 96th Academy Awards shortlist. After answering some mailbag questions about pesky release dates and Oscars eligibility rules, London Editor Ella Kemp swoops in to take us in front of the camera with Jon Batiste—the composer and subject at the center of American Symphony—then Gemma goes behind the camera with Maciek Hamela, director of In the Rearview, which chronicles the immediate refugee crisis created by Russia’s invasion of Ukraine.

This episode of Best in Show includes interviews with two renowned film editors: first up, Letterboxd’s own video editor AJ tells us what makes good editing and lists his favorite examples of movie editing from 2023. And then, one of AJ’s 2023 picks, Jennifer Lame, joins Mia Lee Vicino and Brian Formo for a chat about working with Christopher Nolan, Greta Gerwig, Noah Baumbach and Ari Aster.

May December screenwriter Samy Burch joins Mia and Gemma to for a chat, fresh from her New York Film Critics Circle win for Best Screenplay. We also welcome our London crew to give us the lowdown on their attending the British Independent Film Awards, including its big winner All of Us Strangers.