In an annual tradition, we round off awards season by crowning our Most Picture. Ella Kemp hears from many passionately addicted Letterboxd members, along with Oscar-winning songwriters Billie Eilish and FINNEAS, on the eternal rewatchability of Greta Gerwig’s Barbie. 

Making a movie is complicated, full of dissociative highs and utterly humiliating lows, writes I Like Movies filmmaker Chandler Levack. So why does she subject herself to the rollercoaster of Letterboxd? Michael Mohan, Daniel Goldhaber and Sophy Romvari weigh in on ego, inspiration and community. 

Letterboxd lands on Arrakis to parse the community’s spiciest takes on Denis Villeneuve’s hotly anticipated and highly rated Dune: Part Two.

For Valentine’s Day, the Letterboxd crew reminisce on ten of our worst dates at the movies, from foot lotion mishaps to foot-long sandwich calamities, and wonder what kind of film could survive an awkward debut outing.

As The Holdovers soldiers on through awards season, Ella Kemp crunches the Letterboxd data and speaks to Paul Giamatti and Da’Vine Joy Randolph to figure out just why we already love its warm embrace so much—holiday season and beyond.

Ella Kemp dives into our festive viewing habits to get to the bottom of the 100 most obsessively rewatched films at Christmas. Plus, a bonus answer on the status of Die Hard, once and for all (again).

On the twentieth anniversary of the 2003 live-action adaptation of Dr. Seuss’s The Cat in the Hat, we meet the nostalgia-loving Letterboxd couple keeping the manic movie out of the bulging box.

Our annual sale on Pro and Patron memberships is here: Ella Kemp reports on the statistical probability that a film lover’s Letterboxd life is vastly improved through numbers (and the ability to game them when it comes to your favorite actor).

In celebration of William Friedkin’s everlasting impact, Mitchell Beaupre looks at the director’s highest rated films according to the Letterboxd community—from French connections and leather bars to possessed girls and courts of law.

As Taylor Swift: The Eras Tour shakes up the theatrical landscape, Sacha Judd celebrates the democratization of dancing in cinemas—while pondering if the preservation of the show in movie form takes the fun out of it.

We head to Horrorville to vivisect Letterboxd’s top 250 most obsessively rewatched horror movies—where Mia Lee Vicino discovers a healthy appetite for sequels, slashers, creature features and psychological torture.

Obsessive Saw rewatcher Larry has logged the film over 200 times. Jack Moulton catches him between viewings for a chat about Jigsaw’s nastiest traps, gender euphoria and naming himself after Dr. Lawrence Gordon.