Shadows of Noir is a place for movie fans to discover, learn about, and discuss all things film noir. Our two primary goals are to honor great filmmaking…
10 Film Noir Essentials
Stories
12 - Where the Sidewalk Ends buzzsprout.com
11 - Road House (1948) buzzsprout.com
10 - What is Film Noir? (Revised & Expanded) buzzsprout.com
9 - Film Noir and the Hollywood Blacklist buzzsprout.com
8 - Kiss Me Deadly with Clay McCormack buzzsprout.com
7 - D.O.A. (1949) buzzsprout.com
6 - The Third Man buzzsprout.com
5 - It's a Wonderful Life buzzsprout.com
Episode 4 - Film Noir and World War II buzzsprout.com
Lists
Public Domain Film Noir 11 films
A list of 11 noir films that, to the best of our research, appear to be in the public domain…
Film Noir Database: Classic Era 479 films
This database includes many of the film noir titles commonly referenced as being part of the classic era (1940-1960).
There…
Film Noir in Color 5 films
At first glance, film noir and color do not seem very compatible. In fact, film noir is largely characterized by…
10 Film Noir Essentials 10 films
Every movie genre has certain landmark films. Movies that exemplify the genre so well, that watching them can often be…
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Recent reviews
Based on the novel by James M. Cain, but changed significantly by producer Jerry Wald, the film version of Mildred Pierce gives us an earlier look at the hybrid film noir that employs significant characteristics of another genre. In this case, it's melodrama, as a working class mother battles her way in the business world and at home. Part of Joan Crawford's move into a new phase of her career, her performance in Mildred Pierce would earn her the Academy Award for best performance by an actress in a leading role, and help establish her as a major force in film noir's classic era.
The trio of Otto Preminger, Gene Tierney, and Dana Andrews, who came together for the 1944 classic Laura, reunite here for a 1950 film noir that showcases just how much the classic era of film noir had evolved in six short years. Fatalism and guilt battle the concept of free will and determining one's own life, as Detective Mark Dixon struggles through a NYC storyworld of crime, investigation, and love. Complete with beautiful scene composition and camera movement from director Otto Preminger, Where the Sidewalk Ends is a place where gritty noir meets an artistically told story of timeless questions.
With a modest budget and a short shooting schedule, film noir extraordinaire Jules Dassin turned out this socially focused film based on the book and screenplay of A.I. "Buzz" Bezzerides. Perhaps as a critique on unchecked markets, this story pits a hard-working WWII veteran against an unethical "businessman." Complete with solid performances from Richard Conte, Lee J. Cobb, and Valentina Cortese, we get a clearer sense of right and wrong than often accompanies film noir. Buckle up your seat belt for a long trucking haul with this one.
Lupino. Widmark. Enough said. Road House brings together these two giants of the film noir world for a melodramatic story that crosses squarely into the dark world of noir. With solid performances from Cornel Wilde and Celeste Holm to boot, this film is a showcase of star power and acting execution. Who says you can't have a bowling alley and a sporting goods section in a night club?
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I was expecting a horror movie and it’s not that. I didn’t love it, but I have a feeling if I saw it in 1942 it might be my favorite.
Every movie genre has certain landmark films. Movies that exemplify the genre so well, that watching them can often be the best way to experience its meaning.
Want to know what makes a movie a western? You can start by watching Stagecoach and Once Upon a Time in the West. Trying to learn more about science fiction films? Starting with 2001: A Space Odyssey, Star Wars, and Blade Runner is a pretty good bet.
Now, whether film noir is technically a “genre,” is a longstanding debate. Opinions vary and other terms like series, style, or movement are sometimes preferred. Regardless, the film noir label has enough notoriety, that it is often discussed in the same conversation as other classic genres like the screwball comedy.
If you want a written description of film noir, I encourage you to read the What is Film Noir? story. But perhaps just as helpful, is seeing the movies that show the core film noir elements directly on the screen. After all, film is a visual medium, and when we try to describe it with words, we cannot capture everything.
Here then, are 10 film noir examples (in order of release). Essentials that epitomize the essence of film noir. They are not necessarily the greatest, but they are so synonymous with the term, that they can help prime anyone for further exploration of the subject.