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Pick of the Week | Klassiki 125 films
Every Thursday, we release a new Pick of the Week title on Klassiki, available to watch for up to 21…
The Klassiki Catalogue 133 films
Explore our library — a curated tour through the best cinema past and present from Eastern Europe, the Caucasus, and…
goEast Film Festival 2024 | 25 April - 16 May 4 films
From 25 April - 16 May, Klassiki is partnering with goEast Film Festival. One of the world’s leading celebrations of…
Polish Picks | Klassiki 8 films
From the Polish Film School of the 1950s to the modern day, Poland has a rich cinematic history. Explore our…
Klassiki Picks with Animus Magazine | Klassiki 5 films
Klassiki Picks is our series of curated watchlists handpicked for Klassiki subscribers by leading filmmakers, actors, and critics.
We’re delighted…
Sakha Film: On Nature’s Edge | Klassiki 4 films
The Sakha Republic, in Russia’s Far East, is the home of one of the world’s most fascinating and fertile film…
Recent reviews
Andrei Zvyagintsev’s modern masterpiece recasts the Biblical parable of Job as an epic, witheringly comic treatise on life in Putin’s Russia. On the bleakly beautiful Arctic coast, mechanic Kolya (Aleksei Serebryakov) lives with his withdrawn second wife and restless son. When the land his family home stands on is targeted for development by the corrupt local mayor (Roman Madyanov), Kolya calls in help from Moscow in the form of lawyer friend Dima (Vladimir Vdovichenkov). But Kolya has underestimated the dark…
A careening ensemble comedy bursting at the seams with music and visual energy, Black Cat, White Cat is Emir Kusturica’s madcap tribute to the marginalised and dispossessed. The film follows the twisted romances and small-time schemes of a community of Roma who live from moment to moment on the banks of the Danube: rival patriarchs Grga (Sabri Sulejman) and Zarije (Zabit Memedov), hapless would-be hijacker Matko (Bajram Severdžan), manic gangster Dadan (Srđan Todorović). Building to a heady climax at a…
The final film from the great Andrei Tarkovsky is a moving meditation on faith and family that builds to one of the most famous climaxes in film history. Produced in exile in Sweden with a crew of Ingmar Bergman’s closest collaborators, The Sacrifice concerns Alexander (Erland Josephson), a wealthy lecturer in a lavish seaside manor. When World War III breaks out, Alexander makes a deal with God to spare his family – one that will have devastating consequences. This typically…
The first film that Andrei Tarkovsky made outside of the Soviet Union, Nostalghia is one of the great director’s most wistful and intimate features. Co-written with Antonioni collaborator Tonino Guerra, the story explores the sense of dislocation and spiritual unease experienced by a Soviet writer (Oleg Yankovsky) visiting Italy on a research trip, where he encounters a local eccentric (Erland Josephson) who harbours premonitions of the apocalypse. With his typical visual elegance and philosophical perspective, Tarkovsky mines his own predicament…
Liked reviews
I’ve honestly never seen a movie with acting that doesn’t feel like acting. It’s like this movie just found a drunk chaotic family with issues and started recording all of their issues. It feels so insanely authentic to the point where you wanna cry just looking at them drown out their problems in any way they can
One of the sincerest films I've ever seen, a quality earning it an immediate spot amongst my favourite films of all time.
Leviathan is a bleak condemnation of orthodox religion, the pettiness of self gain and the corruptive nature of power. It is a film that tells its story with an unrelenting and startling sincerity, something I greatly admire in any film, but done to the quality it is done here, it left me angry, melancholic, empty, moved and above…
What overwhelms me the most about Kusturica's pulsating, constantly chaotic and anarchic vision is the extent to which inert objects and God's creation seems to obey him: people, animals, natural landscapes, timing, circumstances, people's reactions, mechanical artifacts, the freaking weather... All natural and divine forces seem to be under a common agreement to be a part of Kusturica's operas out of control and dance under a rhythm of surreal absurdity. He doesn't direct people: he directs an entire world. Even…
Generally when I talk about film, I say that I care about surprise. That surprise can come from all directions, is the plot surprising? Are the aesthetics? Do the themes go into places that are typically left unexplored? Saying surprise is important to me is probably a bit redundant though. Who wants to watch a movie that's film-by-numbers? So perhaps I will surprise you, dear reader, when I say what I like about Black Cat, White Cat is how unsurprising…
Explore our library — a curated tour through the best cinema past and present from Eastern Europe, the Caucasus, and Central Asia.
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