Founded in 1982, the Yale Film Archive, part of Yale University Library, fosters a robust film culture and supports teaching, learning, and research at Yale University through collection,…
Fall 2023 Screenings | Treasures from the Yale Film Archive
Stories
Films on film: Yale Film Archivist shares strategy for preserving and screening
Brian Meacham, film archivist at the library’s Yale Film Archive, was one of the featured speakers at the British Film Institute (BFI) Film on Film Festival in London in early June. Experts from the BFI, Kodak, film laboratories, the Academy Film Archive, and elsewhere in the industry discussed the challenges of preserving and creating film prints in the digital age, the future of screening films projected on film, and related topics.
Treasures from the Yale Film Archive presents… EIGHT MEN OUT
EIGHT MEN OUT (John Sayles, 1988, 35mm, 119 mins)
FIAF Full Member Status for Yale Film Archive
In Mexico City on April 20, 2023, the Yale Film Archive’s application for full Member status in the International Federation of Film Archives (FIAF) was approved by an overwhelming majority of archives voting in person and online during the General Assembly of the 2023 FIAF Congress.
Treasures from the Yale Film Archive presents... WHAT TIME IS IT THERE?
What Time Is It There? (Tsai Ming-liang, 2001, 116 mins)
Council on East Asian Studies & Yale Film Archive present... THE CATCH
The Catch (Shinji Somai, 1983, 140 mins)
Treasures from the Yale Film Archive presents… SUNSET BLVD.
Sunset Blvd. (Billy Wilder, 1950, 110 mins)
Treasures from the Yale Film Archive presents... CROOKLYN
Crooklyn (Spike Lee, 1994, 115 mins)
Lists
Spring 2024 Screenings | Yale Film Archive 21 films
This spring, the Yale Film Archive presents three series of films:
- Treasures from the Yale Film Archive, an ongoing…
Films preserved by the Yale Film Archive 26 films
Films preserved by the Yale Film Archive from unique original film elements in the archive's collection. All films preserved on…
Early Ousmane Sembène | Yale Film Archive and Whitney Humanities Center 7 films
We celebrate the centenary of an unparalleled Senegalese filmmaker in Early Ousmane Sembène: The First Films from the Father of…
Fall 2023 Screenings | Treasures from the Yale Film Archive 6 films
Throughout the year, the Yale Film Archive presents Treasures from the Yale Film Archive, a series of classic and contemporary…
Yale in Film 360 films
A list of every feature film to reference Yale University in some way, shape, or form. Feel free to comment…
Treasures from the Yale Film Archive 131 films
The Yale Film Archive's series of classic and contemporary films from around the world, shown in their original 35mm format…
Liked lists
Sight and Sound's Directors’ 100 Greatest Films of All Time 2022
British Film Institute 104 films
Sight and Sound's Greatest Films of All Time 2022
British Film Institute 264 films
Film Preservation
Justin LaLiberty 42 films
Academy Award Winners for Best Picture
Jake Ziegler 96 films
AGFA 101: The Complete Theatrical Film Catalog of the American Genre Film Archive, 2009 to Present
Space Oddity 1,141 films
Library of Congress National Film Registry
Valerie Ettenhofer 676 films
Recent reviews
Ang Lee: “My dream since childhood was to make a spectacular action film in the Wuxia [martial arts superhero] genre.” Born in 1954 in Taiwan, where he lived until 1979, Lee grew up influenced by the Shaw Brothers’ Hong Kong epics, such as COME DRINK WITH ME (King Hu, 1966) and ONE-ARMED SWORDSMAN (Chang Cheh, 1967); and by Hu’s Taiwanese films DRAGON INN (1967) and A TOUCH OF ZEN (1971). After receiving his MFA in filmmaking from NYU, Ang became…
John Sayles: “I had heard of the Black Sox scandal when I was a kid, wondering how could anybody be so low as to throw the World Series?” In his twenties, after reading Eliot Asinof’s detailed non-fiction book Eight Men Out (1963), Sayles was convinced that the White Sox players got involved in fixing the 1919 Series less from greed than from their exploitation by greedy ownership: that this was a larger story of labor vs. capital. Inspired by ALL…
These notes were created by ChatGPT after it was provided with the following prompt: “Write a 600-word humorous essay on the Steven Spielberg film A.I.: ARTIFICIAL INTELLIGENCE.”
When Steven Spielberg’s film A.I.: ARTIFICIAL INTELLIGENCE hit theaters in 2001, audiences were blown away by the stunning visuals, the heart-wrenching story, and the impressive performances. But what most people don’t realize is that beneath all that emotion and drama, there’s a lot of comedy to be found.
First off, let’s talk about…
“I wanted to make a love story between two women that was authentic. The inauthentic ones ended in a bisexual triangle or a suicide. It was foremost for me that this be authentic, and authenticity in this case means love.” —Donna Deitch
Set in Reno in the ‘50s, director Donna Deitch’s “astonishingly polished and nuanced first film” (Paul Attanasio) portrays the romance between a Columbia professor awaiting her divorce and the free-spirited younger woman she first encounters in what B.…
Liked reviews
*35mm screening at Yale*
PACKED screening courtesy of the Yale Film Society. Second go around confirms this as Park Chan-Wook’s masterpiece. The print was exquisite as well.
weeping in Alice Cinema vibes
This is truly phenomenal. But the seams between Kubrick’s script and Spielberg’s treatment are too visible, I’m afraid. Spielberg said in an interview that the last 20 minutes, the scene which made us all cry, is pure Kubrick, and the sexually-charged middle act was Spielberg. Kubrick’s gushy ending is essential to this film. But Spielberg’s treatment leaves us quite far from that ending, and so a series of logical leaps and timeskips really spur the ending for me. It is…
Mother’s Day showing from the archives
Throughout the year, the Yale Film Archive presents Treasures from the Yale Film Archive, a series of classic and contemporary films from around the world shown in their original 35mm format as they were meant to be seen. These screenings are always free and open to the public.
The Treasures from the Yale Film Archive series is presented with generous support from Paul L. Joskow ’70 M.Phil., ’72 Ph.D.