Founded in 2018, Drink in the Movies is a film podcast and website featuring reviews, interviews with industry professionals, and festival coverage. All opinions are each writer's own.…
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The Best of 2023... Continued
With our top ten lists long since published, we turn now to a few films that didn't get enough love. See what Jeff Sparks and Michael Clawson have to say about some favorites from 2023 that generally flew under the radar.
Most Anticipated Films of 2024
What 2024 movies should you be furiously anticipating? Which films warrant mega-excitement? Stop by Drink in the Movies to see which new movies our staff writers are most eager to see this year.
Drink in the Movies' Superlatives of 2023
Whose cinematic talent was squandered in 2023? Which directorial debuts were most noteworthy? And which soundtracks were most pleasing to our ears? See how DitM staff members answered these questions and more in our annual superlatives feature.
The Best Limited Series & TV Shows of 2023
Stop by Drink in the Movies to see what our staff says were the best limited series and TV shows of 2023.
The Best Movies of 2023
The illustrious contributors to Drink in the Movies partake in the listing of the best movies of 2023. Click here to see each contributor's picks.
Alexander Reams’ Favorite Films of 2023: A Video Countdown
Check out Alex's video countdown of his favorite films of 2023.
Contra Zoom Pod: The Wages of Fear / Sorcerer
Taylor Baker joined Dakota Arsenault on the Contra Zoom Podcast to discuss the 1953 Henri-Georges Clouzot film “The Wages of Fear” and the 1977 William Friedkin film “Sorcerer.” This episode of the Contra Zoom Pod utilizes their Make/Remake format, which examines two films that share the same story. Not to say which film was better or worse, but how they are similar and different while following the same arcs. Check out past Make/Remake‘s from Contra Zoom Pod for more great comparison episodes and see…
Episode #131: DitM's 5th Anniversary, Targets, & Sick of Myself
On Episode #131 of Drink in the Movies, Michael and Taylor reflect on Drink in the Movies reaching its fifth anniversary, discuss their First Impressions of “The Killer” & “Killers of the Flower Moon," and discuss “Targets” and “Sick of Myself.”
DitM's Top Films of 2023 So Far
Stop by the Drink in the Movies website to see what our staff members say are the best of movies of 2023 so far.
Lists
Jeff Sparks’ Favorite Movies of 2023 10 films
Michael Clawson’s Favorite Movies of 2023 10 films
Maria Athayde’s Favorite Films of 2023 10 films
Raúl Mendoza’s Favorite Films of 2023 10 films
Patrick Hao’s Favorite Movies of 2023 10 films
Nick McCann’s Favorite Movies of 2023 10 films
Liked lists
Recent reviews
Sydney Sweeney has caused quite a stir in pop culture discourse as of late. Since she appeared in the rom-com “Anything But You,” the comic book tentpole “Madame Web” (critically eviscerated), and took hosting duties for an episode of SNL, think pieces and hot takes have bubbled up left and right about the “Euphoria” actress’s ever-rising status as a Hollywood starlet. The buzz will likely help generate turnout for Sweeney’s latest, “Immaculate,” a convent-set horror movie that Sweeney also had…
“Gojira” left a powerful mark in history. Toho Studios ushered in a new era of monster cinema, saving the Japanese film economy from bankruptcy in the process. Its massive success and prestigious recognition immediately guaranteed it a sequel. But much like his simian inspiration, King Kong, Godzilla’s first follow-up would be a give-and-take situation.
For the most part, the first movie’s serious tone is gone. The story falls more in line with other atomic creature movies of the era, moving…
A neo-western epic from Chilean director Felipe Gálvez, “The Settlers” ravishes with its spare, painterly images of the windswept terrain of early 20th century Chile, but until its final act, it too often lacks critical distance from the colonial brutality it strives to lay bare. In contrast to “Killers of the Moon,” where a more subdued depiction of Indigenous genocide allows for a kind of historical witness-bearing, “The Settlers” opts for an aggressive, immersive rendering of racial violence committed by…
In 2014, America got a second chance. Legendary Pictures’ reboot of Godzilla had drawn immense success and forged a newfound, dedicated crowd. With international interest resurging again, Toho took the opportunity to drum up their first homegrown production in 12 years. And much like French champagne, the Japanese prove again their kaiju films are the defining experience.
“Shin Godzilla” is a reboot in every sense of the word. Director Hideaki Anno takes a completely new approach starting from the ground…
Liked reviews
Watched this for the first time today and I was so blown away I rewatched it immediately with Altman’s commentary on. The story, I learned, evolved out of a dream Altman had, which is no surprise. He describes the film as impressionistic, which is entirely accurate. It’s just what you make of it at the time, through your own subjective lens. But that also falls far short of describing 3 Women, since there are very concrete arcs that characters move…
watch it with the biggest crowd possible. boomer‘s worst nightmare.
Better if imagined as the thing that might prompt some young teenager to dig into the goodness that is Dario Argento's world of gaudy color and extravagant gore, worse if graded on its evocation of the '90s, which it rather uncreatively tries for with now cliché period signifiers and its much talked about soundtrack. Music only gets you so far in capturing an era, and this often feels a lot more like 2021 than 1994.