Cinema & Bar in historic Paramount House, Surry Hills. We operate on Gadigal country. Showing cults, classics, creepies, cheapies and the best new releases.
Open Mon-Fri 5pm-late,
Sat-Sun 12pm-late.…
Join us this Mother's Day as we celebrate women who know what they want and go for it (no matter the cost). Whether they're bringing life into the world, taking it away or simply serving incredibly hard— Mother is a state of mind. On Sunday 12 May, take mamá to see Penélope Cruz in Volver (2006), Nicole Kidman and Mia Wasikowska in Stoker (2013), mamacitas Geena Davis and Susan Sarandon in Thelma & Louise (1991) as well as Zendaya in her latest hit Challengers. Purchase a glass of…
Nine great Australians, nine remarkable films, nine nights at our beloved Golden Age Cinema. Selected for their own connection to…
We're diving deep into the back catalogue of passion projects, cult classics, career-ruiners and late bloomers from some of the…
Staying in town for the school holidays? We've got you covered with four fantastical road movies about chasing your dreams,…
Inspired by Sydney Sweeney's re-invigoration of the Nunsploitation genre with Immaculate, we've gone on a spiritual journey to bring you…
Partners as in a couple or robbing a bank? Baby it's both. Friends, lovers or family— when you're up to…
Suspicion, compulsion, repression and blondes: step into the dizzying world of the Master of Suspense. Four films from across his…
Lorne Theatre by Golden Age 22 films
This weekend in our Partners in Crime series, we’re exited to present a rare screening of Sam Peckinpah's (The Wild Bunch) most uncompromising work: a road movie, a love story, a Mexican-American western and a brutally honest self-portrait of the artist as a doomed loser. There’s a bounty out for a womanising scoundrel by the name of Alfredo Garcia, and ex-army officer and now two-bit piano player Bennie (Warren Oates) thinks this opportunity could be his way out – his…
This Sunday in our Bad Habits series, Jean-Paul Belmondo (Pierrot le fou) and Emmanuelle Riva (Hiroshima Mon Amour) engage in theological dialogue while fighting their repressed desires in occupied France. Jean Pierre Melville’s (Le Samurai) Léon Morin, Priest is something of a departure from the existentialist gangster and noir films the auteur is best known for. It sees him touch once more on the subject of the French Resistance (which Melville himself served with), which alongside the theological arguments is woven…
Join us tonight as we celebrate the 50th anniversary of Brian De Palma’s criminally underrated lavish glam-rock spectacle on the Golden Screen. It's Faust, it's Frankenstein, it's the Phantom of the Opera, it's the horror-rock-musical passion project that was a massive flop (everywhere except for Winnipeg, where it ran for 18 consecutive weeks) but has since become a solid gold cult classic. Paul Williams, the man behind a slew of Carpenters' hits and Kermit the Frog's "Rainbow Connection", provided the…
This Sunday in our Bad Habits series is Luis Buñuel's (The Exterminating Angel, Belle de jour) Palme d'Or winning satire which was banned by Spanish censors for over a decade for being "a venomous, corrosive movie in terms of its filmmaking craftiness in combining images, reference and musical background”. A surreal, blasphemous and anti-fascist fable, Viridiana’s takedown of the Catholic church is in part a smoke-screen for Buñuel's vicious criticism of General Franco's fascist regime. The film would be banned…
Having never seen this before it always seemed hard to believe that this is a DePalma film. But every frame oozes of DePalma in a way that I've never seen before. All his influences are still there but in the aid of creating a piece that feels absolutely one of a kind.
I watched this once before when I was a teenager. Like every other Peckinpah revisit, it is a revelatory rediscovery. These are not films for young men. They take a certain persistence that has to be attained.
Warren Oates. What a presence.
Dream come true to see this so beautifully restored and projected at one of my favourite cinemas.
Read my other review for more thoughts.
There’s just one more screening at Golden Age Cinema, Sydney 🍸
Inspired by Sydney Sweeney's re-invigoration of the Nunsploitation genre with Immaculate, we've gone on a spiritual journey to bring you our favourite troubled women (and men) of the cloth. Join us on Sundays for crises of faith, temptation, corruption and the Devil, probably.
Now showing.
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