• Babe: Pig in the City

    Babe: Pig in the City

    ★★★★

    Babe: Pig in the City walked so Fury Road could run. 

    (Honestly, this is incredible. I can’t believe I’m barely discovering it.)

  • A Bucket of Blood

    A Bucket of Blood

    ★★★★

    It’s hideous…and eloquent.

    Not sure if there’s a quote that better captures the essence of Corman— a man with no fear and truly believed in the power of the motion picture. A Bucket of Blood feels like the treatise of Corman, what happens when art is reduced to commodification, to clout? 

    RIP to the Goat, Roger Corman.

  • Jacob's Ladder

    Jacob's Ladder

    ★★★★

    Incredible how Lyne is able to make the already scuzzy streets of NYC feel more fiendish, Jacob’s descent and ascent feels so much more profound- excruciating at times, but profound nonetheless. The people of 1990 were not ready for this. 

    War may be hell, but the military-industrial complex is is its devil.

    Podcast: House of Horrors- Jacob’s Ladder

  • Planet of the Apes

    Planet of the Apes

    ★½

    At least the costumes/make-up looked good.

  • Kingdom of the Planet of the Apes

    Kingdom of the Planet of the Apes

    ★★★½

    The manipulation of legacy and the price of progress— it’s fascinating how this franchise still manages to evolve in a direction that is both compelling and worth exploring even after half a century. Kingdom is a patient movie, maybe at times too patient, to the degree where the first half feels a bit aimless— a consequence of jumping “many generations”. Possibly it’s biggest pitfall is that the truly juicy tension is established in the final minutes of the movie leaving me…

  • Tarot

    Tarot

    ★½

    This review may contain spoilers. I can handle the truth.

    You know how in Scary Movie 3 Samara is like "your love has broken the curse" as a joke? Tarot does that but not as a joke.

  • Furiosa: A Mad Max Saga

    Furiosa: A Mad Max Saga

    Witness her :)

    Embargo :(

  • Mad Max 2

    Mad Max 2

    ★★★★½

    I remember a time of chaos... ruined dreams... this wastedland. But most of all, I remember The Road Warrior.

    Incredible the way this movie amplifies the mythology of Mad Max— Miller is cooking with rocket fuel.

  • Mad Max

    Mad Max

    ★★★½

    The birth of madness. A movie where the shoestring budget is an asset because every crash feels like calamity (for the character and the production itself). 

    But also, a strange movie. The whiplash of seeing the seeds of a road warrior being planted and then cut to Max spending quality time with his family is comically jarring, but I suppose it does make for a more effective ending.

  • Star Wars: Episode I – The Phantom Menace

    Star Wars: Episode I – The Phantom Menace

    ★★★★

    A movie that dared to be different and one that gets better with every passing year. 

    The pod racing scene is still the most visceral scene in all of Star Wars with possibly the greatest sound design of the 90s.

    Duel of the Fates is a better and more compelling song than the actual Star Wars theme.

    The duel between Maul and Qui-Gon/Obi-Wan has more fire in its choreography than any other live action duel in the Star Wars franchise. 

    A very good movie. Duel of the Fates in a theater is what I imagine heaven is like.

  • Twilight

    Twilight

    ★★★★

    We would be so lucky if YA adapted movies (hell, movies in general) had even an ounce of Twilight’s style or magnetism. I’m even more fascinated how the movie is shockingly faithful to the book (which is amateurish at best) but is still able to inject so much energy into the most mundane. Is it the perfect cast? The banger soundtrack? Hardwicke’s shot selection? The terrible wigs? The skin of a killer? Alice?

    I have no idea, I just know this movie rips.
    (The answer is Alice. Always Alice). 

    Podcast: Book to Screen-Twilight

  • Shutter Island

    Shutter Island

    ★★★

    This review may contain spoilers. I can handle the truth.

    Baby’s first plot twist. The funny part isn’t that the twist is obvious, it’s how much Shutter Island doesn’t trust the audience to figure it out. It holds your hand to explain every detail of its plot twist— there’s even a point where Ben Kingsley takes out a chalk board to explain an anagram. If the movie was less obsessed with trying to sell a spooky twist and spent more time on Teddy’s trauma, then maybe we’d be cooking. Instead we…